Techniques of Polytempic Polymicrotonal Music Creation: Microchromatic Collections Using the Span of a Tetrachord, part XV
Controlled Organization of Microchroma within Polymicrotonal Systems For me, pitch organization is either atonal , tonal , or centric . One can use any approach one wishes in polytempic polymicrotonality . I prefer to be somewhere in between. Although I have not used twelve-tone procedures for my compositions, I have used cells, tetrachords , centric quasi-tonal areas , and even jazz harmony . Again, I refrain from "laying down" a law or system, and I am only trying to cover an array of topics related to all things poly. I know that Joseph Straus 's book Introduction to Post-Tonal Theory is NOT everyone's favorite textbook, as it resembles a math class, but it has crystallized some basic atonal concepts for me in my undergrad and graduate years. I know I rail against the new simplicity of microtonal music adopting minimalism and drones , but there really needs to be an alternative to this. It is good that a simpler approach is pertinent today, as this period...