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Showing posts with the label microtonal intervals

Techniques of Polytempic Polymicrotonal Music Creation: Prosody As Applied To Microtonal Systems, part XIIIa: two successive intervals

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 Applying Prosody to a Microtonal System What is Prosody, and what the Heck does it have to do with Microtones?   Although Leonard Meyer created a musical analysis approach using simple prosodic elements from the analysis of poetic syllabic feet, I have always been interested in prosody and its close relationship to song and music in general. This morning, as my cat Maximus attacked my face while I was trying to sleep, I had an idea concerning the use of prosody with regard to microtonal systems.  Fig. 1. Disyllabic permutations as applied to microtonal voice leading and pitch cell organization In prosody, poems are written syllabically in a meter, such as in iambic pentameter .  Most English classical poetry is written in iambic pentameter. Take Milton's Paradise Lost , for instance. This epic poem is entirely written in a foot resembling: ∪ — where "∪" is the unstressed syllable, and "—" is the stressed syllable. There are three categories of syllabic feet: ...